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Showing posts with label sianlindemann. Show all posts
Showing posts with label sianlindemann. Show all posts

Friday, October 02, 2009

LASTING IMPRESSIONS: What Are We Missing ~




Lasting Impressions with Sian Lindemann


















Jim Zuckerman Fine Art Photography
http://www.corporatefineart.com
http://jimzuckerman.blogspot.com


"What Are We Missing?"

Hmmm ... something to think about ...


Washington, DC Metro Station on a cold January morning in 2007. The man with a violin played six Bach pieces for about 45 minutes. During that time approx. 2 thousand people went through the station, most of them on their way to work.

After 3 minutes a middle aged man noticed there was a musician playing. He slowed his pace and stopped for a few seconds and then hurried to meet his schedule.

4 minutes later:


The violinist received his first dollar: a woman threw the money in the hat and, without stopping, continued to walk.

6 minutes:


A young man leaned against the wall to listen to him, then looked at his watch and started to walk again.

10 minutes:


A 3-year old boy stopped but his mother tugged him along hurriedly. The kid stopped to look at the violinist again, but the mother pushed hard and the child continued to walk, turning his head all the time. This action was repeated by several other children. Every parent, without exception, forced their children to move on quickly.

45 minutes:


The musician played continuously. Only 6 people stopped and listened for a short while. About 20 gave money, but continued to walk at their normal pace. The man collected a total of $32.

1 hour:


He finished playing and silence took over. No one noticed. No one applauded, nor was there any recognition.

Findings:


No one knew this, but the violinist was Joshua Bell, one of the greatest musicians in the world.

He played one of the most intricate pieces ever written, with a violin worth $3.5 million dollars.

Two days before Joshua Bell sold out a theater in Boston where the seats averaged $100.

This is a true story.

Joshua Bell playing incognito in the Metro Station was organized by the Washington Post as part of a social experiment about perception, taste, and people's priorities.

The questions raised: "In a common place environment, at an inappropriate hour, do we perceive beauty?

Do we stop to appreciate it?

Do we recognize talent in an unexpected context?"

One possible conclusion reached from this experiment could be this: If we do not have a moment to stop and listen to one of the best musicians in the world, playing some of the finest music ever written, with one of the most beautiful instruments ever made....

How many other things are we missing?........."
Author ~ Unknown


Networking The Right Room ~

This is a poignant story, and it relates to the innumerable people, products, services and "craft" who attempt to network their craft in the wrong domain, room, venue, or other featured location.

The example is excellent.

One must "walk a mile" in another's shoes. Perception is everything. You've heard the term, "Location, Location, Location." This story defines the necessity to choose an appropriate venue for exhibition, as a FIRST priority.

Did I say "FIRST" priority?

Of course, one's work needs to be excellent, the best you can produce, both technically and from the best of tools available in your industry. Secondly, it requires being "masterfully" displayed, as one would want to comfortably place it in their own home or office.

These, too, are important aspects regarding the quality of the work, but just as in the story above, it is essential to consider the quality of the venue...and I'm not limiting that venue to an exhibition space in a "gallery."

I've done several art shows in the least likely of locations, most of which were not galleries...but were independent venues where only my work would be featured and would not be mixed with a variety of styles, or mediums. I wanted to be "exclusively" featured, so as to warrant the price tag placed on each item.

The venues I have selected, over the years, were not usually used as exhibition space, but through appropriate negotiation with the provider, I have usually been able to secure "free" space that benefited the provider in other ways.

Examples of this type of venue were:

Grouse Mountain ~ Theater in The Sky
Known as a ski resort in Vancouver, British Columbia, it is required, initially for all visitors to ride a gondola from city floor to mountain top, which allows for the most spectacular view of Vancouver, British Columbia.

The venue at the top of the mountain is actually a Multimedia Theater, used predominantly for Corporate Events, and most days goes completely without notice. Conveniently it is located next to a "sky" bar and restaurant.

The negotiation process went like this. Inquiring of the "business office," I asked if I could secure the Theater for an Event for a 3 day Weekend Exhibition. I offered no payment for the venue but in lieu of payment assured the executives that I would bring 100 people up the mountain per evening.

The benefit to the resort was as follows:

1) They received revenue from the purchase of Gondola Tickets ~ 100+ per day
2) They benefited from the sale of food and drink from the "Sky" Bar
3) They benefited from the PR of new people visiting the Ski Resort

Thus I was given the "use" of the venue free of charge for 3 days ~ Good Deal

There are many other options one can choose, but based on the story above, GET out of your studio and into the "LIGHT." It can be more affordable than you can imagine, yet the value to your company and your visibility as an artist, is priceless !

Wishing you the best of Success
Sian Lindemann
October 2009


For more information, please visit Sian's TNNW Bio.



Published by THE NATIONAL NETWORKER Newsletter. All rights reserved. Subscribe Free - Click HERE.
The National Networker Companies

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Sunday, July 26, 2009

LASTING IMPRESSIONS: Tim O'Neill

Lasting Impressions with Sian Lindemann


Technology…and the Arts
Tim O'Neill
http://www.timoneillstudios.com

A Brave New World…

Tim O’Neill is an Artist to Watch…

“Tim began his career as a photographer working in a darkroom lab and processing film for a local company in his high school years. He joined the US Navy in 1979 and was trained as a photojournalist at the US Navy Schools of Photography in Pensacola, FL. Tim finished his Navy career attached the Combat Camera Group at the Atlantic Fleet Audiovisual Command in Norfolk, VA. Since 1979, there have been many different directions of study in fine art, photography and business that Tim has pursued. As a fine art printer and photographer many years were spent printing silver gelatin, various non-silver processes and platinum. Platinum printing remains a favorite of his today. The digital revolution found its way to Tim’s studio in 2002 and now commissioned mixed media portraits are becoming more and more prevalent with discriminating clients.

Currently Tim is a self employed entrepreneur creating art and growing his brand as well as teaching business and marketing skills to artists in online and offline workshops and seminars. His painting has taken on a new direction and he is working on two book deals and a calendar. A calendar featuring 12 paintings of children angels is being published, a book for artist on using social media marketing, and an instructional book entitled, “Digital Painting for the Artistically Challenged” are in process. On the entrepreneurial side Tim has owned various franchises in several industries including the health and fitness, insurance and securities and automotive industries. Current passionate pursuit is building his online businesses for residual income, painting commissioned portraits and other fine art pieces and finishing his masters degree”. Tim O’Neill

Tim has four children ages 24, 21, 10 and 5 as of 2009. The O’Neill’s live in North Platte Nebraska.



Tim O’Neill ~

“Grandpa’s Hat”

Tim O’Neill came to my attention because of this painting.

Titled “Grandpa’s Hat,” is from the collection of portraiture by American artist, painter, photographer, Tim O’Neill, whom I discovered in my newly adopted passion for Social Media.

Tim is a “friend” from Facebook.

Face Book, a viable tool, a Social Networking site, and like Twitter, YouTube, Squidoo and other Social Media platforms, is not only valid for the building of community and friends from around the world, but is an extremely valuable mix of “outlets” on which one can implement marketing strategies, via the cross syndication of information, that no longer require “retail” locations, ie galleries, as primary distribution for the sale of the works.

The technological applications do not end with Social Media Marketing.

The other most intriguing “piece” about Tim O’Neill, as an artist, is that he has crossed all the boundaries between technological “paint” tools and the known hand rendered techniques of traditional painting. He has adopted, mastered and has ‘included’ the technological tools available to all of us, in the creation of the “master” works themselves.

Step aside, George Lucas, and ILM masteries. Tim O’Neill is the “new age” of digital technologies in the arts.

It is no wonder that he has been “challenged” by elitists in the arts industries.

The man is a “walking” innovation.

There is MORE…

Currently engaged in the final design and launch of a “digital” painting magazine, Tim is creating the very publication in which he will be sharing these remarkable tools and methods with the public.

I am reminded of a request I made to a mentor of mine, posed nearly one year ago. I suggested that we create a “revolution” online, in the arts. Spoken like a true visionary, I asked for the revolution, studied the methods required to implement it, specific to sales, and never in my wildest dreams imagined there would also be a “revolution” in the methods and techniques used to create the original works, as well.

I am humbled, and I feel much like I imagine the early explorers of the “new world” to have felt. The world is NOT “flat.”

Tim O’Neill ~ make sure to watch, listen and follow him, as he is on the verge of opening the treasure trove of what is to be the new direction in the world of fine arts.

http://www.timoneillstudios.com


Sian Lindemann is the Executive Director of Sian Design, a company committed to the discovery and development of emerging artists.
http://www.siandesign.com
http://www.siandesign.blogspot.com
http://www.facebook.com/SianLindemann
http://www.twitter.com/SianLindemann
Monument, Colorado, USA



For more information, please visit Sian's TNNW Bio.



Published by THE NATIONAL NETWORKER Newsletter. All rights reserved. Subscribe Free - Click HERE.
The National Networker Companies
Forward/Share This Article With Colleagues And Social Media:
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The Emergence of The Relationship Economy

The Emergence of The Relationship Economy
The Emergence of the Relationship Economy features TNNWC Founder, Adam J. Kovitz as a contributing author and contains some of his early work on The Laws of Relationship Capital. The book is available in hardcopy and e-book formats. With a forward written by Doc Searls (of Cluetrain Manifesto fame), it is considered a "must read" for anyone responsible for the strategic direction of their business. If you would like to purchase your own copy, please click the image above.

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